"The shadow escapes from the body like an animal we had been sheltering [...] and the shadow observes, reflects, and fears that unsheltered freedom"
Gilles Deleuze, Francis Bacon - The Logic of Sensation
On the brink of the 21st century and in an era that is fertile in eschatological narratives and theories about the end of history, crowned by the triumph of Western capitalism, Jacques Derrida coined the word "hauntologie" (Specters of Marx): an ontological manifestation of ideological and cultural specters that haunt our present time and disrupt a linear conception of time.
Inspired by Derrida's concept and anchored on the idea of haunting, Mickael de Oliveira and Nuno M Cardoso joined efforts once again, after Oslo (2015), to create HANTOLOGY, a spectral exercise about the resilience of radical visions and utopian projects that wind up failing and, like ghosts, haunt our contemporaneity.
APRESENTAÇÕES
"The shadow escapes from the body like an animal we had been sheltering [...] and the shadow observes, reflects, and fears that unsheltered freedom"
Gilles Deleuze, Francis Bacon - The Logic of Sensation
On the brink of the 21st century and in an era that is fertile in eschatological narratives and theories about the end of history, crowned by the triumph of Western capitalism, Jacques Derrida coined the word "hauntologie" (Specters of Marx): an ontological manifestation of ideological and cultural specters that haunt our present time and disrupt a linear conception of time.
Inspired by Derrida's concept and anchored on the idea of haunting, Mickael de Oliveira and Nuno M Cardoso joined efforts once again, after Oslo (2015), to create HANTOLOGY, a spectral exercise about the resilience of radical visions and utopian projects that wind up failing and, like ghosts, haunt our contemporaneity.
Crocodile Club
Texto | Mickaël de Oliveira
Direção | Elizabeth Dinkova
Interpretação | Bárbara Branco, Elizabeth Dinkova, Alina Maldonado Collins, Victor Salinas, Danilo Gambini, Ellen Schiavone, Liv Tyndall
Direção de produção | Héloïse Rego
Mediação | Maria João de Vasconcelos
Comunicação | Mariana Carneiro
Apoio | Spooky Action Theater; Embaixada de Portugal (EUA) e República Portuguesa – Cultura, Juventude e Desporto / Direção-Geral das Artes
Local | Universalist National Memorial Church (1810 16th St NW, Washington, DC 20009, USA)
Promised Valley Conference Center
Texto e direção | Mickaël de Oliveira
Elenco | Bárbara Branco, Diogo Martins, Pedro Carmo, Valeria Avina
Direção de produção | Héloïse Rego
Mediação | Maria João de Vasconcelos
Comunicação | Mariana Carneiro
Apoios | Saudade Theater, Peacedale Global Arts, Embaixada de Portugal (EUA) e República Portuguesa – Cultura, Juventude e Desporto / Direção-Geral das Artes
Local | TheaterLab (357 W 36th St. 3rd floor, New York, NY 10018, USA)
Promised Valley (mini-doc)
Realização e pesquisa | Mickaël de Oliveira
Apoio à pesquisa e captação | Filipe Valle Costa, Gabriela Cavaz, Héloïse Rego
Edição | Fábio Coelho
Locais de pesquisa | Parede (Lisboa, Portugal), California Baptist University (CBU, Riverside, Califórnia, EUA) e John Paul the Great Catholic University (JPTGCU, Escondido, Califórnia, EUA)
Entrevistadores | Mickaël de Oliveira, Filipe Valle Costa, Pedro Carmo
Participantes entrevistados | Tiago Sepúlveda GTMR, director artístico), Maria Duarte, David Oliveira (GTMR, actores e cantores), Zackary Bortot (CBU, Prof. associado e director do departamento de Theatre Arts), Kaleb Bravo, Lissa, Matthew Furness, Abby Durham e Leaya (CBU, estudantes), Bob Mesle (Professor reformado de filosofia e religião Graceland University), Becky Bean (Professora reformada de teatro da Graceland University), Katelyn Slator (Professora de teatro JPTGCU), Tessa Haubert e Ron-Paul Tamayo (estudantes JPTGCU), Mary Wenner (antiga aluna e professora de teatro JPTGCU)
Apoios | GTMR - Grupo de Teatro Musical Religioso; California Baptist University, John Paul the Great Catholic University, Saudade Theater e República Portuguesa – Cultura, Juventude e Desporto / Direção-Geral das Artes
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